Fear of Buses

I don’t know what prompted me to write the following account. I wrote it in the notes app on my phone about a week ago while lying awake in bed at about 4 AM. I’ve edited it a bit since then, but it’s still mostly in the rambling form in which I first committed it to silicon. I’m sure it’s more than a little too self-reflective than many people will be interested to read, but I do think it’s sufficiently removed from my life right now that it serves as a narrative rather than cheap Internet therapy. There’s some Jerry Springer philosophizing at the end, but feel free to skip that bit. Or indeed any other bit. Anyway…

I quite distinctly remember at the age of fourteen being terrified of taking a bus. It wasn’t a fear of the machines themselves, nor of the (sometimes unsavory) passengers I would find aboard, nor of the possibility of finding myself lost far from home. It was because I didn’t know what I was supposed to say to the driver when I got on. I had no idea. Was I supposed to say where I was going to, or just how many stops, or was I supposed to tell him how much i was paying? Should I put the money in the machine before I said whatever it was I was expected to say, or was the done thing to make your intentions known before offering payment? Not a clue.

I had never been taught the correct behaviour. Not in school; not at home; not from my friends, nor teachers, nor family. I hadn’t read it in my books, and I didn’t have access to the Internet to look it up there. I was totally convinced—it didn’t occur to me that it could be otherwise—that there was a single correct way to proceed, like in the complex etiquette of days past. Just as it would be a mistake to eat my starter with the wrong fork, I was sure that any deviation from that one correct way to board a bus would be perceived as an idiotic blunder worthy of scorn and laughter.

I’m sure it’s clear, but I’ll spell it out anyway: I hated uncertainty at that age.

I resented everybody—friends, family, strangers—for somehow knowing how to proceed while I was left mystified by the inscrutable social complexity of the task. How had they all learned the protocol? Had they studied it in school on a day I was absent? Surely not. I had never had difficulty in catching up with missed school. It was the other kind of knowledge—the kind that all of my friends seemed to instinctively possess, but which I hadn’t the beginnings of a clue about. Equations could be solved, science and business could be understood, even language could be learned. But people were incomprehensible. I simply couldn’t figure out the rules for how they operated.

I stood waiting at the bus stop opposite Tesco one day, just up the road from my house. My palms were sweating. I was shaking, verging on tears—a product of my worsening distress at the impending task, coupled with the shame of being so dreadfully deficient as to be unable to commute by the same mode of transport even the dumbest of my peers took in their stride. I steadied my breathing, not wanting to advertise my anxiety to the bus-full of people who were, in my mind, surely listening intently for the first sign of me straying from the script. I mentally rehearsed my lines, my best guess about what to say and do, making sure I could say them even in the terrifying heat of the moment when panic would surely strike.

The bus arrived. I stepped on. I took a deep breath, blinked back a stray tear. I said to the driver, “Bray main street, please” and dropped my exact change in the machine at the same time. I hoped the timing was ambiguous enough that, whatever the expected order of speech versus payment, I would be generously judged to have performed the two actions correctly. The driver grunted and printed my ticket. I took my seat.

I had succeeded. I had taken on the obstacle, without the benefit of whatever secret knowledge all of these othe people possessed. I had figured out the process, and I knew I could replicate it. With that one act of extreme bravery I had freed myself from the terror, and given myself free reign to travel wherever I pleased by bus in future.

For years afterward—even when the event of catching a bus had become the mundane act it always should have been—I looked back on that one day as a means to inspire myself to betterment. One day I went from not being able to take a bus, to being able. Maybe that meant that—even if I couldnt yet manage it—some day in the future I could talk to a stranger without needing a close friend by my side. Maybe I’d even talk to a girl. Or I could make a phonecall without needing days of mental preparation. The world was open to me, and all I had to do was to take a deep breath, and step onboard.

It’s weird for me to look back on this now. To some extent I react to it in the same way I imagine most people would: incredulity at how the situation could have bothered me so much. But I remember it so vividly still that there’s another part of me that can still sympathize. I like to think that it makes me better at accepting the difficulties other people have in whatever situations they might struggle with, even if I can’t understand what makes it so hard for them.

Take care of yourselves. And each other.

Lord of the Dance

I had an interesting experience this evening.

There was a dance class promoted on an internal mailing list recently in work, and it took place today. It was advertised as being taught by a hip-hop dancer, who was then hyped up with a link to a video of her competing in a dance-off. I took this as an indication that the class would be much like the once-off class I took in Dublin a year or two ago with a visiting Googler from Mountain View. At that class there had been a group of both men and women, beginners all, working through the first section of a choreographed hip-hop dance routine. It was energetic and challenging, and everyone had fun.

Today, though, I showed up to a pilates room. There I found seven or eight very slim and prim-looking ladies with all the appearance of being ready to put on a ballet performance. Someone’s taking this fun little class a bit seriously, I thought, surprised by the dance shoes and lycra where I expected to see skate shoes and baggy jeans. A stereo played some music that, rather pointedly it seemed to me, was not hip-hop. I assumed the real music would arrive with the teacher, and that this music must just have been left in the stereo from before. People introduced themselves. I won’t pretend that I didn’t detect just a little surprise when I said I would be taking part. The class started.

You’ll be shocked to discover this—as I was—but it did not appear to be a hip-hop dance class.

I followed along anyway. As instructed I began clumsily mimicking the teacher’s graceful movements in time with the music. I stretched, and folded, and swept my arms out in wide arcs, and so on. I wondered if there was any way that this was somehow going to segue into a flurry of popping, locking, and stomping.  It didn’t seem likely. I slowly touched my toes. How much would my dignity suffer if I were to pretend that, yes, this is what I had come here for, and stayed through to the end? I slowly, smoothly, stood back up straight. If I just ran right out the door and never returned, how hard would it be to get another job? I held my hands out behind me and carefully bent forward at the waist. Was there any chance that most of the people here hadn’t noticed me, all tucked away at… the front of the class?

The instructor started to move around the room, giving hints individually to the other students. I hoped she wouldn’t address me. There was still some small possibility that we could all get through this without anyone acknowledging that I had actually showed up. I was relieved to have her completely ignore me.

The first track finished. The teacher began to speak.

“Ok, next we’re going to…”

“Excuse me,” I interrupted.

“Yes?”

“Um… This isn’t exactly what I expected. I think I might just… leave?”

She didn’t argue.

To be honest, I’m still undecided on the new job idea.

Greatest Movies: The Data

For several months—possibly almost a year at this point—I’ve been working my way through Empire magazine’s list of the 500 greatest movies of all time. I’ve seen 203 so far, including those that I’d already seen before the list was published.

You won’t be surprised to learn that my tracking of this project involves a spreadsheet full of colours and formulae. There’s even a pie chart depicting the fractions of movies seen by me, Eileen, both of us, or neither of us.

500-movies-spreadsheet

Yes, I have managed to find a girlfriend who’s willing to collaboratively update a spreadsheet of movie-watching history with me. That feeling you’re experiencing is either intense jealousy, or intense pity.

Since I already have a digital copy of the movie list in a form amenable to machine-reading, I thought I’d grab some stats from the list.

Greatest directors

There are 294 directors in the list, if you count directing teams, like Joel and Ethan Coen, as single directors. The majority of these directors, 194 of them, have only a single movie on the list. The other 100 directors account for the remaining 306 movies between them, with 27 directors having at least four movies on the list. Here are those 27, in order from most to least:

Movies Director
11 Steven Spielberg
8 Martin Scorsese
7 Stanley Kubrick
7 Alfred Hitchcock
6 Woody Allen
6 Tim Burton
6 Akira Kurosawa
5 Quentin Tarantino
5 Peter Jackson
5 Michael Powell, Emeric Pressburger
5 Joel & Ethan Coen
5 Francis Ford Coppola
5 Brian De Palma
5 Billy Wilder
4 William Wyler
4 Sidney Lumet
4 Sam Raimi
4 Robert Zemeckis
4 Rob Reiner
4 Richard Linklater
4 John Huston
4 Jean-Pierre Melville
4 James Cameron
4 Hayao Miyazaki
4 George Lucas
4 David Lynch
4 Christopher Nolan

I’m as big a fan of Steven Spielberg as anyone, and surely no-one would deny that Jaws, Raiders of the Lost Ark, and Schindler’s List are deserving of their places on this list, but even I wouldn’t claim that a full eleven of Spielberg’s movies should be there. AI: Artificial Intelligence and the fourth Indiana Jones film are conspicuously out of place in that crowd.

Greatest decades

The modern bias in the selection of these movies is very obvious when you look at their distribution over time.

Great Movies by Decade

There are representatives of every decade of film since the 1920s, yet more than a fifth of the movies in the list are from this decade, before it’s even over. No recognition is given to the well established fact that Hollywood reached its peak in the mid-1980s.

However wrong I might think this list is—and I find it hard to imagine anyone ever getting it “right”—I’ve definitely found some real gems while watching the highest-rated movies. Most of the best one’s I’ve discovered, though, were not made in the 00s by Steven Spielberg.